J a p a n e s e    C u l t u r e

Writing in the 15th century Noh expert Zeami wrote that through his practice of Noh forms, such as that shown above (where a man is playing woman) the Noh practioner is able to gain an eye apart, a sight of himself from a position away from himself (riken no ken 離見の見） as if from the position of his audience. In the 21 first century Kyari Pamyu Pamyu performed a formulaic dance before spewing eyeballs that encircle her in the video for Pon Pon Pon. Image: school festival and others 038 by Olivia Blackburn @ Flickr http://flic.kr/p/q5TDoD